Here's my latest step-by-step demonstration...
This one was an absolute joy to paint. I had great reference for starters... my Mother-in-law took the photos on a recent trip to the UK, it's very handy having relatives who take great photos and it's always worthwhile to keep a lot of files for reference, here's proof. I call this image
'The Sparrows of Redgate Cottage".

STEP ONE Here's the reference I used for the image. Note, I turned the cottage around, just in case the owners ever saw it, I'm not sure if the M.I.L. got permission. I'll carry on as if she didn't.

STEP TWO Here's the composited image with some painting done for the sky, the posts in the foreground and the road. Photoshop is fantastic for this purpose. It's a lot easier to put an image together this way.

STEP THREE Here I work out the the sketch to paint over. I keep it very basic as the photos have a whole heap of information. If I started this image from scratch, with no reference, I'd have to add a lot of info at this stage.

STEP FOUR I've added a colour overlay in Painter, I'm starting out using the 'chalk' option.

STEP FIVE See the chalky look to the colour? I use the chalk option for ease of getting the colours down quickly.

STEP SIX Some details added and keeping a watchful eye on the tones at the same time.

STEP SEVEN More detail. I start work from the back and gradually move forward.

STEP EIGHT I'm looking right through the image now and thinking about the relatiuonship between the background and the forefront. I begin adding a few highlights for clues and a little bit of work on the sparrow.

STEP NINE More tonal work to pull the whole thing together.

STEP TEN Tweaking some of the colours... the road, the path etc.

STEP ELEVEN Working right through the image, adding detail to the bird too at this point. This is the fun part for me, the finer detailing.

STEP TWELVE Lots more work on the foreground. Working out the relationship with the sparrow and the background, I want it to stand out so I add some gentle highlights, trying hard to avoid the
'cut-out' look. I always try to bear this in mind.

STEP THIRTEEN Toning the whole thing and adding more detail, the image is really starting to come together at this point.

STEP FOURTEEN More of the same. The red of the gate really provides a nice break between the front and the back of the image and also, gives me a title.

STEP FIFTEEN The finished image. I'm pretty happy at this point, but no doubt, as I do, I'll go back and touch it up in the future. I forgot to mention that I painted this as a cover image, so I left a fair amount of space at the top for type. There's nothing worse than dodgy typestting over a lovely image. Another thing I try to bear in mind at all times.
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